His theme was something that I played for director Phillip Noyce and Mike Kelley when we were doing the pilot but didn't surface in an actual cue until we were several episodes into the first season. Really, if you think about it, David's fate was the catalyst for the entire story, so it's fitting that he had a proper send off. With that in mind, I thought it appropriate to leave you with this piece, Requiem For David. The beauty of Revenge was that I was allowed and encouraged to come up with a whole encyclopedia of themes as the series grew, to the extent that by the time we got to the series finale, we all knew basically where every piece of the puzzle had to go. When you've established a musical language for a show, with themes that people recognize and a palette that fits the mood of the series, writing the score becomes exponentially easier and I think more meaningful than if you're just wallpapering the movie with music. From the sheer volume of music required every week to the live orchestral aspect the show demanded, it was always a challenge musically and physically but it was always one I relished. It was to all intents and purposes the show that put me on the map and my first full TV scoring credit. Revenge holds a very special place in my heart even though I have done many projects before and since. Your love for Revenge has shown itself all over social media and you've been incredibly generous with your praise both for the show itself and for the music it's been my pleasure to write for it. Where do I start? How can I begin to thank you?įor the past four years, you have been the most loyal and enthusiastic audience one could possibly hope for. If you have not watched the Revenge Series Finale, DO NOT READ ON!!
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |